Timo Laine on Understanding the Road Runner Cartoon

This article provides an interesting discussion of why we might find the Road Runner cartoons funny.  Laine summarises  the work of the philosopher Bergson and the Italian playwright Pirandello.  In addition he points out the the way in which Chuck Jones structured the series.

Sympathy for the Coyote 

Bergson on Laughter

The French Philosopher, Henri Bergson developed a theory on the human need for laughter.  The "comic"
throws light on the way human imagination works more particularly the social, collective and popular imagination. For Bergson comedy occurs when there is

• an absence of feeling
• a momentary amnesia of the heart.

In addition Bergson sets up a set of contrasts in order to establish a definition of comedy.  The comic should be contrasted with

• graceful rather than beauty
• the unsprightly rather the unsightly
• rigidness rather than ugliness

Note these have to with the comic person acting in the visible world.  The qualifiers, beauty, unsightliness and ugliness are values.  The comic for Bergson occurs  in "the deflection of life towards the mechanical. He notes that for any ceremony to become comic.

"it is enough that our attention be fixed on the ceremonial aspect rather its content.  We neglect its matter and think only of its form"

For Bergson comedy is something mechanical encrusted upon the living.


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Timo Laine has a useful summary of Bergson's theory
Tim Laine

An Ethereal Reality

 In his appreciation of the films of Jacques Tati, the film scholar and musician Michel Chion notes that the filmmaker's world is essentially one of juxtapositions. In addition he cites the ethereal quality of Tati's world.

"We never feel the density of matter in a Tati film: not the thickness of wood, not the hardness of metal, not the roughness of skin  Tati achieves a sense of lightness in the way he frames his images and through his choice of lighting and sounds.  The particular attention he gives to sound contributes to the impression of working with weightless and hollow objects"

"Tati never makes us feel the fullness and consistency of matter"

Michel Chion,The Films of Jacques Tati, Guernica Editions, Toronto, 1987,pp119-120